I got 99 posts, and a bitch ain't one...

Almost at post #100, and the excitement is palpable! Also, Eureka heats up, Leverage hits the fast lane, and on Top Shot, you can cut the tension with a knife.

Top Shot switched things up a little...not in eliminations (although apparently, that's next week), but in the weapon. It was throwing knives today, and while JJ had a lot of problems in practice, he nailed it in the team challenge and Blue beat Red by a five second margin. Kelly got to sit out an elimination (plus he is the Silent Assassin when it comes to winning those), so it was Denny getting out-slingshot by Peter. In sadder news, Tara's dad was having complications from cancer, so she left the competition in order to be with him.

Two episodes left to go, and next week we'll be losing a goodly number of the remaining marksmen. I'd like to see Kelly advance to the finals, but we'll just have to see. Of the people remaining, he's got to have the most challenge experience, which gives him an edge.

Eureka went a little different direction, as Carter left town to go visit Zoey at Harvard, and still managed to get into a little Eureka-style trouble with an invisible cat. Pretty light for a B story, but it did get us a little...not so much closure, but at least we got some Zoey this year. Nice haircut, by the way.

With Carter out of town, it's up to Lupo to keep track of a rocket race, a joyriding Zane, and a buildup of self-propegating oxygen that is threatening to set the town on fire. Jamie Kennedy was oddly cast, but not necessarily bad. Lupo tries (and succeeds) to get through to the "good Zane" that is inside of alternate-Zane. In a surprising turn, Allison cheats to help Kevin win, which is what winds up helping cause the impending firestorm. Kevin has the answer though, and he, Allison, and Grant save the town. Interesting how two episodes have gone by with no mention of "can we fix the time business?", which makes me wonder if they're just saving that for later, or if they just really wanted a shakeup.

And finally, Leverage brought the goodness this week with their version of Gone in 60 Seconds (but, you know, good). Bill Engvall was a surprisingly effective bad guy, so between him and John Schneider, this has been a good season for guest villains. Unfortunately, this is another week where Parker is the one to make the con go all tits-up on the crew. Granted, it was explained in the story, and the flashback to pre-teen getaway driver Parker was great, but it just seems odd for that to happen twice in a row like that. Sophie's use of neural-linguistic programming as a car salesman was a great callback to earlier in the season, as was how the team got together to steal the auto race. Another thing that bothered me, though, was all the "we can outrun bullets" stuff that Eliot, Parker, and Hardison wound up having to do. Just a little unrealistic for this show...just didn't feel natural. Another week without The Italian or anything close to the meta plot, which makes me wonder if we're getting a big run of those episodes coming up soon.

Catching up on Burn Notice and Top Chef, but I'm thinking of making the 100th post my long-postponed Doctor Who post. We will all be surprised together!

Top Leverage 13!

First off, we are counting down to the 100th post on here! It is a milestone, both in the roundness of the number (BASK IN THE ROUNDNESS!!!), but that I've managed to keep up with this for nearly a year. I'm considering this a win. Now, maybe leave a comment once in a while, so I know I'm doing something right? :) I'd like this to become more of a place for discussion in the coming year, whether it be on here, or even in the Facebook links that I leave on my page every time I update.

Also, this season of Doctor Who is almost done in America, so I'll be doing the Doctor Who omnibus post once that airs. I'm pretty sure most of you have seen it online by now (as have I), but as a rabid spoiler-hater, I'm going to be kind and wait one more week. One more damn week...

So, Warehouse 13 is getting back to business, but still dealing with the aftershocks of the season finale/season premiere. Artie is haunted (literally) by the ghost of MacPhereson, Claudia and Leena are as tense as two cats in a wet sack, and Myka...has her books? Yep, the "stuff delivery" is here, and Myka's room now feels like home, but Pete has naught to enjoy. Lucky for him, he gets to immerse himself into a superhero situation in Detroit, as it seems that the Iron Shadow (like Batman if he borrowed The Phantom's outfit) is busting up criminals and tossing them through walls. And who do we run into? Let the SQUEEEEEEing begin, because it's Jewel Staite and Sean Maher from Firefly (aka Kaylee and Simon, aka those two that didn't hook up until the end of Serenity). Kudos to the show for not making the comic store a hotbed of nerdery, and for making Pete the nerdiest of the comic nerds instead. The Iron Shadow can do all kinds of neat flashy light things, but it's going out of control. Claudia takes time out from being catty to Leena in order to bring some gadgets to Pete and Myka: some material that will absorb energy (and make you impotent, apparently), and some kickass steampunk gauntlets that will fire the energy back out. So, it's like a Bishop suit. Nice.

Myka gets all Catwoman'd out (so, it's a good thing that Pete didn't wear the suit after all, huh?), complete with some swank hooker boots (that probably belonged to Louisa May Alcott or Ella Fitzgerald or something), and takes on the Iron Browncoat. They thought it was Jack Kirby's belt (nice touch), but it turns out to be the underwear that all good superheroes wear on the outside of their tights (Charles Atlas' trunks, even nicer touch). Our happy couple gets to stay together, and Leena and Claudia look to have patched things up a little. Artie has a few decent scenes with the ghost of MacPherson, and scores a pocket watch from MacPherson's archived room (which may or may not factor into later episodes). And Pete, while he doesn't have his stuff yet, does get surprised with a big tv and an XBOX 360 (probably Monet's XBOX 360) to pass the time.

Leverage was twangtastic, with special guest villain John Schneider (aka Pa Kent...yeah, and one of the Dukes of Hazzard). The girl from Coyote Ugly got her songs stolen by the evil country singer (wasn't that a wrestling gimmick for a while too?), and the Leverage team is going to get them back. Turns out, Elliot is good at singing (and you can download his country stylings on iTunes RIGHT THIS MINUTE), and the rest of the team still manages to almost drop the ball. Parker gets to do her Bjork by way of Lady Gaga routine, and Hardison goes from country to rap in the course of an episode. This definitely was the episode with the highest level of hijinks to date, but it was a nice light fluffy hour with something for everybody. Nate surprises us all by taking out two thugs (with no explanation given), and Sophie can't understand Memphis and their fascination with ribs (for breakfast? really?). Not much else needs to be said, no meta-plot, just a well run hour of tv with Elliot refusing to quit when the job goes tits-up.

Top Chef was some good times, forcing the chefs to serve one family-style dinner while cooking outside with crap equipment. Some good dishes manage to make it out, and Kenny goes from the outhouse to the penthouse with a winning eggplant curry. I was worried about losing Amanda this week (since she's hot...and can cook too, fine), but Tim gets the boot for his crap dish instead. Line of the episode: Padma's "You've got crabs" when introducing the ingredient for the Quickfire.

Top Shot was good times too, as they did a Wild West shootout. Surpringly, the guy with the cowboy hat managed to both suck at shooting, and not get nominated to go to the elimination challenge. Kelly and Andre get that honor, and manage to nearly ruin a really good challenge (shooting poker cards to make a hand) by sucking at poker. They both make royal flushes in the first round, so they go to sudden death where Kelly blocks Andre's low straight flush attempt, and Andre has a massive brainfart and fails to make any kind of hand.

Eureka is coming up, as soon as Hulu releases it, and I am really looking forward to it. Psych is also back, and I will be getting to that ASAP as well. I love you, summer TV.

While I wait for Warehouse 13 to go up on Hulu...

Yeah, totally got sucked into Jade Empire (yes, I am 6 years behind on video games) and forgot it was Tuesday. W13 isn't up yet, but I do have some catching up to do, so let's dive right in.

Eureka came back Friday, and it was a total game-changer. It's Founder's Day in town, Tess has moved to Australia and dumped Carter, Allison has her baby, Zane asked Lupo to marry him, and Allison's autistic son Kevin is messing around with some mystery device leftover from the Einstein days...and now Jack is in 1947.

Yep, no beating around the bush here. Jack is picked up by a strange guy in a nice car and brought back to Camp Eureka, the military base that eventually became the town of Eureka. Allison, Lupo, Henry, and Naked Fargo are also back in time, and all must get back...to the future! They've got an overzealous Major trying to capture them as enemy spies, but Dr. Grant (James Callis of BSG) eventually realizes that they're all from the future, and helps them get the machine working (mostly by attaching old school transistors to their tiny Eureka phones), and get them back home. Carter left his phone in his other jacket though, so he makes out with Allison for like five minutes, and her phone takes them both back home.

However, like all good time travel stories, not all is as it was when they left. Lupo discovers that Zane is still a criminal and not in love with her, Carter finds Tess back at home waiting for him, Kevin is no longer autistic, Henry is married to the hot lady who showed up for 30 seconds at the beginning of the episode, and Fargo is...well, the preview for next week has him as the director of GD. Or, and kindly Dr. Grant (who had Jack's jacket) is in 2010 now too. Space-time continuum is cracking, and the stakes are raised.

This season's arc (if it is for all season) is looking pretty promising, as the time-travelers all seem to have gained something through the changes, but will have to give all that up to get things back to normal. Also, Callis is good people, and will hopefully draw some new viewers to the show.

Leverage was its usual good self, this time addressing the Parker/Hardison budding relationship, as well as peering into the murky underbelly of the pharmacutical industry. The client literally runs into Hardison...and unfortunately for her pursuers, Eliot (and his coffee), and they take on her case of drug trial malfeasance and untimely deaths. Parker-the-Grifter continues to be adorable, sending her in as a pharma-girl in training and having her bust into the CEO's office for incriminating files. With security on her tail, Nate decides to have her finish the job, getting her out of there but cutting it too close for Sophie's sake. Sophie reminds Nate that he's not the moral compass anymore, and his usual shenanigans aren't going to fly anymore. And that's about it for that this week.

The rest of the episode is the usual con. Parker almost gets nabbed by security (but not really), Hardison gets closer to the client (but not really), Eliot is forced to flirt with an FDA rep (but not really...and he gets dumped). Sweet bit at the end as Parker confides in Sophie about her feelings for Hardison, and Hardison finds a way to tell her that he's ready for her when she is. Good little bit of character development.

Top Shot had some Kentucky Longrifle fun, but this is more notable for the day where we went into full-on reality show scheming. A few guys decide that if they have to go to elimination, that they should get manuever to get the two best shooters to go against each other, making one go home and making it easier for the rest of them to make it to the finals. Good plan, but they told the wrong person, who then ran and ratted out the plan. Oh reality tv, never disappointing. The red team smokes the challenge, and the rat and one of the main plotters (I seriously don't care about their names, sorry) shoot it out. Cool challenge, as they have to shoot a rope until it frays enough to drop a guillotine. More stuff like that, please. The rat goes home, and next week is an old west shootout, complete with shooting gallery full of crap that shatters and asplodes. Good times, Top Shot, good times.

Warehouse 13 ASAP, and Top Chef tonight.

Quick reviews while I'm still awake

Fortunately, the summer schedule is about as laconic as I am, so I'm going to bust out some quick thoughts. Leverage gets short-sheeted, sadly, but I'll make it up to you later. Mmm...Leverage...

So yes, another two-episode Sunday night, before they take the 4th of July off and then come back with regular weekly episodes for the rest of the run (including the return of Wil Wheaton). First episode was an interesting look at the concept of family, as Parker's "dad" (the guy who taught her to be a thief), meets her new family and gets a lesson on what actual family is. Parker on the run had a lot of excitement, Hardison and Sophie's "Steed and Peel" cover identities made me giggle, and the wheat subplot...was a thing. The super security system was a good villain though, and the final gotcha moment was well done. Hardison as a violin prodigy was interesting, moreso because I read John Rogers' blog (kfmonkey.blogspot.com, of course), and his answers to Leverage questions. Specifically of note was the upcoming relationship between Nate and Hardison as mentor and protege. Look for this to recur. We also touch base with the meta-plot as The Italian comes back to point the team in Damien's direction. This episode has one great moment above all others though, the single tear running down Parker's cheek during Hardison's violin solo. I was definitely waiting for the reveal on that, and it didn't disappoint. It'll be a long week and a half until the next new episode.

Summer means summer shows, and so I delve more into reality/game show type stuff:

Top Shot remains interesting from a technical standpoint, and bless the poor editors who have to wring some drama out of the otherwise bland contestants. They seem like good people, but this would probably be better served as a faster-paced skills competition, rather than regularly paced reality fare. I'd rather see more marksmanship competitions than have to overhear minor squabbles in the house to pad out the hour.

Top Chef is rolling right along, and they have a good mix of drama and skills on display. Angelo is the new perfect villain for the season, and how did he not get cast by now? This guy is arrogant with a capital A, and his simmering feud with Kenny is going to get good. Amanda and Kelly both have potential for drama down the line too, and the challenges have been decent to this point. The pie challenge though...man, that got ugly there. Good thing Top Chef: Just Desserts is around the corner, eh?

Downfall isn't bad either, as it's an interestingly done quiz show, Chris Jericho is a great host, and the visual appeal of stuff falling off a building is always a good time. I just wish the damn show would go faster. Then again, that's my problem with most game shows. Except Jeopardy. All hail Jeopardy.

The Good Guys is just barely hanging on for dear life. The show has promise, and no episode (of the three I've seen) has been a total waste of my time, but bits of the formula are starting to wear on me. The flashbacks aren't altogether terrible, although most of them are bits we could have figured out on our own. Also, the "chamber spinning/gunshot" sound effect that accompanies them is getting on my nerves. Bradley Whitford is trying so hard, and if the show makes it to season 2, it will be all him. However, there aren't any compelling supporting characters, and neither of the two leads is making up for it. I don't hate it, but I don't love it, and with Psych, Warehouse 13, and Eureka knocking on the door, the sands are running out of that hourglass.

Has it seriously been two weeks?

Between the end of the "regular season", a change in my work schedule, and post-finals lazyness, it has been a while for this blog. However, the summer season has started, and I've got a little catching up to do. First off, Burn Notice.

When last we left Mr. Weston, he'd saved Frasier's dad from Simon the Mad Bomber (who had better come back), and then was bundled off to some secret prison somewhere, where he finds himself in a tastefully appointed study. Michael has been recruited by Vaughn, a new mystery man, who needs his help to track down a new Big Bad with deep pockets and his fingers in a lot of pies. Welcome to Season Four.

After a stop to a "gun enthusiast" in the middle of the jungle, Michael agrees to take the case, and winds up back in Miami. He stops in to see mom, and apologizes...for everything. A rarity, a scene between Michael and his mother that I actually would have liked to see more of. The reunion with Fiona is next, and wouldn't you know it, she's loading up guns because she has a client. Winston has been green-lit for death by a biker gang, and negotiations aren't going well.

The biker gang stuff was standard client stuff, although the wrap-up involved a great chase scene and a couple of funny bits involving Winston and Big Ed (leader of the biker gang). As for the new meta-plot, Michael slips into a secure facility to grab some files but accidentally winds up getting the spy whose identity he "borrowed" arrested and blacklisted. As Sam points out, Michael just burned a spy. Next week...Michael helps that spy? Wow, nice turnaround.

Good start to the season, all the cogs are turning, and this season's plot seems a little juicier than last season's.

I also wanted to touch on The Good Guys, the new series from Burn Notice creator Matt Nix. The pilot was a little choppy, but I loves me some Bradley Whitford, and there were some promising elements in the episode. Bradley Whitford plays a former 70's supercop who's on the outs with the department, but still sticks around because of his fame from one big case back in his heyday. Colin Hanks is his by the book partner who is stuck with him because his behavior has annoyed everyone else in the department. The bit seems to be that they get assigned to embarrasingly minor cases, but then stumble into bigger ones. Nix has a good formula going with Burn Notice, and Good Guys looks to take the same approach: find a routine that works, and beat it into the ground. Burn Notice has the season long arcs to keep it going though, and once I catch up on episode two, we'll see if Good Guys will have the same kind of staying power.

Also, one thing I decided to check out was Top Shot on the History Channel. It's a marksmanship competition hosted by Survivor's Colby Donaldson, and it promises a variety of challenges with a variety of historical and modern weapons. I'm all for skill-based competitions, so as long as they keep putting them up on Hulu, I'll be checking it out.

The first team challenge is interesting, as they have to use four older models of rifles, but they actually get to practice with the weapons and get training from an expert. As opposed to the usual "here's some stuff, go nuts" way that challenges to on reality competitions, this is refreshing to see. There's still the social aspect of the game, but not as much as other shows, and there's still a lot of professional courtesy. Considering how many of them are military or law enforcement, and how disciplined the skillset is, I'm not too surprised.

Deciding who goes into the elimination challenge is interesting, some of these people know each other and have reputations as great shooters. Still nice to see that it hasn't gone too negative...yet. It is reality TV after all. Colby has learned a lot at the feet of the Probst. The finals were good, and it was some good respectful competition. Almost too respectful for reality TV, but props for History Channel for elevating the game.